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Gerard Manley Hopkins (गेरार्ड मैनली हॉपकिन्स)

गेरार्ड मैनली हॉपकिन्स (1844–1889) विश्व साहित्य के एक अत्यंत प्रतिष्ठित एवं कालजयी कवि हैं, जिनकी रचनाएँ आज भी दुनिया भर में प्रेम और दर्शन के लिए पढ़ी जाती हैं।

• गेरार्ड मैनली हॉपकिन्स • 01/08
आज का शेर
गेरार्ड मैनली हॉपकिन्स Portrait
आभा: 99.4%
गेरार्ड मैनली हॉपकिन्सVictorian Era (1844–1889)
प्रमाणित विरासत
Thee, God, I come from, to thee go,All day long I like fountain flow.

— गेरार्ड मैनली हॉपकिन्स • VICTORIAN ERA (1844–1889)

1/8
📖 प्रमाणित संग्रह❤️ 1.2M+ Readers✨ 99.4%🏛️ Victorian Era (1844–1889)
तेज़ नेविगेशन:#Mashhoor#Ishq#Dard#Zindagi#Falsafa
कैनवास स्टूडियो प्रीसेट्स

डाउनलोड करें गेरार्ड मैनली हॉपकिन्स के एस्थेटिक स्टोरी कार्ड्स

शेर #1 • कॉस्मिक कलाम
‘Thee, God, I come from, to thee go,All day long I like fountain flow.’
— गेरार्ड मैनली हॉपकिन्स

शेर #1 • कॉस्मिक कलाम

Thee, God, I come from, to thee go,

शेर #2 • शाही पन्ना
‘From thy hand out, swayed about,Mote-like in thy mighty glow.’
— गेरार्ड मैनली हॉपकिन्स

शेर #2 • शाही पन्ना

From thy hand out, swayed about,

शेr #3 • रूहानी शाम
‘What I know of thee I bless,As acknowledging thy stress.’
— गेरार्ड मैनली हॉपकिन्स

शेr #3 • रूहानी शाम

What I know of thee I bless,

शेर #4 • ज़मर्रद फ़लसफ़ा
‘On my being and as seeing,Something of thy holiness.’
— गेरार्ड मैनली हॉपकिन्स

शेर #4 • ज़मर्रद फ़लसफ़ा

On my being and as seeing,

प्रमाणित शायरी संग्रह

अमर शेर और ग़ज़लें

mashhoor#01
Thee, God, I come from, to thee go,All day long I like fountain flow.
#Thee, God, I Come from
ishq#02
From thy hand out, swayed about,Mote-like in thy mighty glow.
#Thee, God, I Come from
dard#03
What I know of thee I bless,As acknowledging thy stress.
#Thee, God, I Come from
zindagi#04
On my being and as seeing,Something of thy holiness.
#Thee, God, I Come from
Crimson Velvet
Eh, how áll rúng!,Young dog, he did give tongue!.
#Brothers— गेरार्ड मैनली हॉपकिन्स
falsafa#05
Once I turned from thee and hid,Bound on what thou hadst forbid.
#Thee, God, I Come from
mashhoor#06
Sow the wind I would; I sinned,I repent of what I did.
#Thee, God, I Come from
ishq#07
Bad I am, but yet thy child,Father, be thou reconciled.
#Thee, God, I Come from
dard#08
Spare thou me, since I see,With thy might that thou art mild.
#Thee, God, I Come from
Celestial Mystic
Or paring of paradisaical fruit, lovely in waning but lustreless,Stepped from the stool, drew back from the barrow, of dark Maenefa the mountain.
#Moonrise— गेरार्ड मैनली हॉपकिन्स
zindagi#09
I have life before me still,And thy purpose to fulfil.
#Thee, God, I Come from
falsafa#10
Yea a debt to pay thee yet,Help me, sir, and so I will.
#Thee, God, I Come from
mashhoor#11
But thou bidst, and just thou art,Me shew mercy from my heart.
#Thee, God, I Come from
ishq#12
Towards my brother, every other,Man my mate and counterpart.
#Thee, God, I Come from
Royal Sapphire
Moonless darkness stands between,Past, the Past, no more be seen!.
#Moonless darkness stands between— गेरार्ड मैनली हॉपकिन्स
dard#13
A Brother and Sister,O I admire and sorrow! The heart’s eye grieves.
#On the Portrait of Two Beautiful Young People
zindagi#14
Discovering you, dark tramplers, tyrant years,A juice rides rich through bluebells, in vine leaves.
#On the Portrait of Two Beautiful Young People
falsafa#15
And beauty’s dearest veriest vein is tears,Happy the father, mother of these! Too fast.
#On the Portrait of Two Beautiful Young People
mashhoor#16
Not that, but thus far, all with frailty, blest,In one fair fall; but, for time’s aftercast.
#On the Portrait of Two Beautiful Young People
Golden Amber
To what serves mortal beauty '—dangerous; does set danc-,ing blood—the O-seal-that-so ' feature, flung prouder form.
#To What Serves Mortal Beauty?— गेरार्ड मैनली हॉपकिन्स
ishq#17
Creatures all heft, hope, hazard, interest,And are they thus? The fine, the fingering beams.
#On the Portrait of Two Beautiful Young People
dard#18
Their young delightful hour do feature down,That fleeted else like day-dissolvиd dreams.
#On the Portrait of Two Beautiful Young People
zindagi#19
Or ringlet-race on burling Barrow brown,She leans on him with such contentment fond.
#On the Portrait of Two Beautiful Young People
falsafa#20
As well the sister sits, would well the wife,His looks, the soul’s own letters, see beyond.
#On the Portrait of Two Beautiful Young People
Cosmic Violet
Then over his turnиd temples—here—,Was a rose, or, failing that.
#The Furl of Fresh-Leaved Dogrose Down— गेरार्ड मैनली हॉपकिन्स
mashhoor#21
Gaze on, and fall directly forth on life,But ah, bright forelock, cluster that you are.
#On the Portrait of Two Beautiful Young People
ishq#22
Of favoured make and mind and health and youth,Where lies your landmark, seamark, or soul’s star?.
#On the Portrait of Two Beautiful Young People
dard#23
There’s none but truth can stead you. Christ is truth,There ’s none but good can bй good, both for you.
#On the Portrait of Two Beautiful Young People
zindagi#24
And what sways with you, maybe this sweet maid,None good but God—a warning wavиd to.
#On the Portrait of Two Beautiful Young People
Emerald Radiance
Where the green swell is in the havens dumb,And out of the swing of the sea.
#Heaven--Haven: A Nun Takes the Veil— गेरार्ड मैनली हॉपकिन्स
falsafa#25
One once that was found wanting when Good weighed,Man lives that list, that leaning in the will.
#On the Portrait of Two Beautiful Young People
mashhoor#26
No wisdom can forecast by gauge or guess,The selfless self of self, most strange, most still.
#On the Portrait of Two Beautiful Young People
ishq#27
Fast furled and all foredrawn to No or Yes,Your feast of; that most in you earnest eye.
#On the Portrait of Two Beautiful Young People
dard#28
May but call on your banes to more carouse,Worst will the best. What worm was here, we cry.
#On the Portrait of Two Beautiful Young People
Sunset Aura
Sorrow's springs are the same,Nor mouth had, no nor mind, expressed.
#To a Young Child— गेरार्ड मैनली हॉपकिन्स
zindagi#29
To have havoc-pocked so, see, the hung-heavenward boughs?,Enough: corruption was the world’s first woe.
#On the Portrait of Two Beautiful Young People
falsafa#30
What need I strain my heart beyond my ken?,O but I bear my burning witness though.
#On the Portrait of Two Beautiful Young People
mashhoor#31
Against the wild and wanton work of men,.
#On the Portrait of Two Beautiful Young People
ishq#32
How lovely the elder brother's,Life all laced in the other's.
#Brothers
Imperial Gold
A warfare of my lips in truth,Battling with God, is now my prayer.
#My prayers must meet a brazen heaven— गेरार्ड मैनली हॉपकिन्स
dard#33
Lóve-laced!—what once I well,Witnessed; so fortune fell.
#Brothers
zindagi#34
When Shrovetide, two years gone,Our boys' plays brought on.
#Brothers
falsafa#35
Part was picked for John,Young Jóhn: then fear, then joy.
#Brothers
mashhoor#36
Ran revel in the elder boy,Their night was come now; all.
#Brothers
Crimson Velvet
Foundered March 24. 1878,1.
#The Loss of the Eurydice— गेरार्ड मैनली हॉपकिन्स
ishq#37
Our company thronged the hall,Henry, by the wall.
#Brothers
dard#38
Beckoned me beside him,I came where called, and eyed him.
#Brothers
zindagi#39
By meanwhiles; making my play,Turn most on tender byplay.
#Brothers
falsafa#40
For, wrung all on love's rack,My lad, and lost in Jack.
#Brothers
Celestial Mystic
6,And you were a liar, O blue March day.
#The Loss of the Eurydice— गेरार्ड मैनली हॉपकिन्स
mashhoor#41
Smiled, blushed, and bit his lip,Or drove, with a diver's dip.
#Brothers
ishq#42
Clutched hands down through clasped knees—,Truth's tokens tricks like these.
#Brothers
dard#43
Old telltales, with what stress,He hung on the imp's success.
#Brothers
zindagi#44
Now the other was bráss-bóld,Hé had no work to hold.
#Brothers
Royal Sapphire
Then a lurch forward, frigate and men,'All hands for themselves' the cry ran then.
#The Loss of the Eurydice— गेरार्ड मैनली हॉपकिन्स
falsafa#45
His heart up at the strain,Nay, roguish ran the vein.
#Brothers
mashhoor#46
Two tedious acts were past,Jack's call and cue at last.
#Brothers
ishq#47
When Henry, heart-forsook,Dropped eyes and dared not look.
#Brothers
dard#48
Eh, how áll rúng!,Young dog, he did give tongue!.
#Brothers
Golden Amber
Now he wrings for breath with the deathgush brown,Till a lifebelt and God's will.
#The Loss of the Eurydice— गेरार्ड मैनली हॉपकिन्स
zindagi#49
But Harry—in his hands he has flung,His tear-tricked cheeks of flame.
#Brothers
falsafa#50
For fond love and for shame,Ah Nature, framed in fault.
#Brothers
mashhoor#51
There 's comfort then, there 's salt,Nature, bad, base, and blind.
#Brothers
ishq#52
Dearly thou canst be kind,There dearly thén, deárly.
#Brothers
Cosmic Violet
From thy hand out, swayed about,Mote-like in thy mighty glow.
#Thee, God, I Come from— गेरार्ड मैनली हॉपकिन्स
dard#53
Look at the stars! look, look up at the skies!,O look at all the fire-folk sitting in the air!.
#The Starlight Night
zindagi#54
The bright boroughs, the circle-citadels there!,Down in dim woods the diamond delves! the elves'-eyes!.
#The Starlight Night
falsafa#55
The grey lawns cold where gold, where quickgold lies!,Wind-beat whitebeam! airy abeles set on a flare!.
#The Starlight Night
mashhoor#56
Flake-doves sent floating forth at a farmyard scare!—,Ah well! it is all a purchase, all is a prize.
#The Starlight Night
Emerald Radiance
And beauty’s dearest veriest vein is tears,Happy the father, mother of these! Too fast.
#On the Portrait of Two Beautiful Young People— गेरार्ड मैनली हॉपकिन्स
ishq#57
Buy then! bid then!—What?—Prayer, patience, aims, vows,Look, look: a May-mess, like on orchard boughs!.
#The Starlight Night
dard#58
Look! March-bloom, like on mealed-with-yellow sallows!,These are indeed the barn; withindoors house.
#The Starlight Night
zindagi#59
The shocks. This piece-bright paling shuts the spouse,Christ home, Christ and his mother and all his hallows.
#The Starlight Night
falsafa#60
I awoke in the Midsummer not to call night, in the white and the walk of the morning,The moon, dwindled and thinned to the fringe of a finger-nail held to the candle.
#Moonrise
Sunset Aura
May but call on your banes to more carouse,Worst will the best. What worm was here, we cry.
#On the Portrait of Two Beautiful Young People— गेरार्ड मैनली हॉपकिन्स
mashhoor#61
Or paring of paradisaical fruit, lovely in waning but lustreless,Stepped from the stool, drew back from the barrow, of dark Maenefa the mountain.
#Moonrise
ishq#62
A cusp still clasped him, a fluke yet fanged him, entangled him, not quite utterly,This was the prized, the desirable sight, unsought, presented so easily.
#Moonrise
dard#63
Nothing is so beautiful as spring—,When weeds, in wheels, shoot long and lovely and lush.
#Spring
zindagi#64
Thrush's eggs look little low heavens, and thrush,Through the echoing timber does so rinse and wring.
#Spring
Imperial Gold
Smiled, blushed, and bit his lip,Or drove, with a diver's dip.
#Brothers— गेरार्ड मैनली हॉपकिन्स
falsafa#65
The ear, it strikes like lightnings to hear him sing,The glassy peartree leaves and blooms, they brush.
#Spring
mashhoor#66
The descending blue; that blue is all in a rush,With richness; the racing lambs too have fair their fling.
#Spring
ishq#67
What is all this juice and all this joy?,A strain of the earth's sweet being in the beginning.
#Spring
dard#68
In Eden garden.—Have, get, before it cloy,Before it cloud, Christ, lord, and sour with sinning.
#Spring
Crimson Velvet
The bright boroughs, the circle-citadels there!,Down in dim woods the diamond delves! the elves'-eyes!.
#The Starlight Night— गेरार्ड मैनली हॉपकिन्स
zindagi#69
Innocent mind and Mayday in girl and boy,Most, O maid's child, thy choice and worthy the winning.
#Spring
falsafa#70
What being in rank-old nature should earlier have that breath been,That hйre pйrsonal tells off these heart-song powerful peals?—.
#What Being in Rank-Old Nature
mashhoor#71
A bush-browed, beetle-brуwed bнllow is it?,With a soъth-wйsterly wнnd blъstering, with a tide rolls reels.
#What Being in Rank-Old Nature
ishq#72
Of crumbling, fore-foundering, thundering all-surfy seas in; seen,Ъnderneath, their glassy barrel, of a fairy green.
#What Being in Rank-Old Nature
Celestial Mystic
What is all this juice and all this joy?,A strain of the earth's sweet being in the beginning.
#Spring— गेरार्ड मैनली हॉपकिन्स
dard#73
,Or a jaunting vaunting vaulting assaulting trumpet telling.
#What Being in Rank-Old Nature
zindagi#74
Moonless darkness stands between,Past, the Past, no more be seen!.
#Moonless darkness stands between
falsafa#75
But the Bethlehem-star may lead me,To the sight of Him Who freed me.
#Moonless darkness stands between
mashhoor#76
From the self that I have been,Make me pure, Lord: Thou art holy.
#Moonless darkness stands between
Royal Sapphire
Left hand, off land, I hear the lark ascend,His rash-fresh re-winded new-skeinèd score.
#The Sea and the Skylark— गेरार्ड मैनली हॉपकिन्स
ishq#77
Make me meek, Lord: Thou wert lowly,Now beginning, and alway.
#Moonless darkness stands between
dard#78
On ear and ear two noises too old to end,Trench—right, the tide that ramps against the shore.
#The Sea and the Skylark
zindagi#79
With a flood or a fall, low lull-off or all roar,Frequenting there while moon shall wear and wend.
#The Sea and the Skylark
falsafa#80
Left hand, off land, I hear the lark ascend,His rash-fresh re-winded new-skeinèd score.
#The Sea and the Skylark
Golden Amber
Home at heart, heaven's sweet gift; ' then leave, let that alone,Yea, wish that though, wish all, ' God's better beauty, grace.
#To What Serves Mortal Beauty?— गेरार्ड मैनली हॉपकिन्स
mashhoor#81
In crisps of curl off wild winch whirl, and pour,And pelt music, till none 's to spill nor spend.
#The Sea and the Skylark
ishq#82
How these two shame this shallow and frail town!,How ring right out our sordid turbid time.
#The Sea and the Skylark
dard#83
Being pure! We, life's pride and cared-for crown,Have lost that cheer and charm of earth's past prime.
#The Sea and the Skylark
zindagi#84
Our make and making break, are breaking, down,To man's last dust, drain fast towards man's first slime.
#The Sea and the Skylark
Cosmic Violet
Breathe Easter now; you serged fellowships,You vigil-keepers with low flames decreased.
#Easter Communion— गेरार्ड मैनली हॉपकिन्स
falsafa#85
The sea took pity: it interposed with doom,‘I have tall daughters dear that heed my hand.
#The Sea Took Pity
mashhoor#86
Let Winter wed one, sow them in her womb,And she shall child them on the New-world strand.’.
#The Sea Took Pity
ishq#87
To what serves mortal beauty '—dangerous; does set danc-,ing blood—the O-seal-that-so ' feature, flung prouder form.
#To What Serves Mortal Beauty?
dard#88
Than Purcell tune lets tread to? ' See: it does this: keeps warm,Men's wits to the things that are; ' what good means—where a glance.
#To What Serves Mortal Beauty?
Emerald Radiance
O then if in my lagging lines you miss,The roll, the rise, the carol, the creation.
#To R. B.— गेरार्ड मैनली हॉपकिन्स
zindagi#89
Master more may than gaze, ' gaze out of countenance,Those lovely lads once, wet-fresh ' windfalls of war's storm.
#To What Serves Mortal Beauty?
falsafa#90
How then should Gregory, a father, ' have gleanèd else from swarm-,ed Rome? But God to a nation ' dealt that day's dear chance.
#To What Serves Mortal Beauty?
mashhoor#91
To man, that needs would worship ' block or barren stone,Our law says: Love what are ' love's worthiest, were all known.
#To What Serves Mortal Beauty?
ishq#92
World's loveliest—men's selves. Self ' flashes off frame and face,What do then? how meet beauty? ' Merely meet it; own.
#To What Serves Mortal Beauty?
Sunset Aura
My prayers must meet a brazen heaven,And fail and scatter all away.
#My prayers must meet a brazen heaven— गेरार्ड मैनली हॉपकिन्स
dard#93
Home at heart, heaven's sweet gift; ' then leave, let that alone,Yea, wish that though, wish all, ' God's better beauty, grace.
#To What Serves Mortal Beauty?
zindagi#94
The furl of fresh-leaved dogrose down,His cheeks the forth-and-flaunting sun.
#The Furl of Fresh-Leaved Dogrose Down
falsafa#95
Had swarthed about with lion-brown,Before the Spring was done.
#The Furl of Fresh-Leaved Dogrose Down
mashhoor#96
His locks like all a ravel-rope’s-end,With hempen strands in spray—.
#The Furl of Fresh-Leaved Dogrose Down
Imperial Gold
,Hope holds to Christ the mind’s own mirror out.
#Hope Holds to Christ— गेरार्ड मैनली हॉपकिन्स
ishq#97
Fallow, foam-fallow, hanks—fall’n off their ranks,Swung down at a disarray.
#The Furl of Fresh-Leaved Dogrose Down
dard#98
Or like a juicy and jostling shock,Of bluebells sheaved in May.
#The Furl of Fresh-Leaved Dogrose Down
zindagi#99
Or wind-long fleeces on the flock,A day off shearing day.
#The Furl of Fresh-Leaved Dogrose Down
falsafa#100
Then over his turnиd temples—here—,Was a rose, or, failing that.
#The Furl of Fresh-Leaved Dogrose Down
Crimson Velvet
For did she pride her, freighted fully, on,Bounden bales or a hoard of bullion?—.
#The Loss of the Eurydice— गेरार्ड मैनली हॉपकिन्स
mashhoor#101
Rough-Robin or five-lipped campion clear,For a beauty-bow to his hat.
#The Furl of Fresh-Leaved Dogrose Down
साहित्यिक परिचय एवं आलोचनात्मक सम्मान

गेरार्ड मैनली हॉपकिन्स (Gerard Manley Hopkins) — साहित्यिक महानायक एवं कालजयी विरासत

गेरार्ड मैनली हॉपकिन्स (1844–1889) विश्व साहित्य के एक अत्यंत प्रतिष्ठित एवं कालजयी कवि हैं, जिनकी रचनाएँ आज भी दुनिया भर में प्रेम और दर्शन के लिए पढ़ी जाती हैं।

साहित्यिक विधा और मौलिक शैली

गेरार्ड मैनली हॉपकिन्स ने भाषा और उपमानों की सीमाओं को पार कर ऐसी संजीदा शैली विकसित की, जो सीधे पाठक के अंतर्मन से संवाद करती है।

ऐतिहासिक युग एवं विश्व सम्मान

Victorian Era (1844–1889) के महान रचनाकार के रूप में सम्मानित, गेरार्ड मैनली हॉपकिन्स की कृतियाँ आज कई अंतरराष्ट्रीय भाषाओं में सराही और अनुवादित की जाती हैं।

दार्शनिक गहराई और आत्मिक अनुभूति

प्रेम, विरह, मानवीय कमज़ोरी और जीवन के गूढ़ रहस्यों को गेरार्ड मैनली हॉपकिन्स ने अपनी शायरी में अमर सत्य की तरह संजोया है।

गेरार्ड मैनली हॉपकिन्स की शायरी पीढ़ियों के दिलों को क्यों छूती है?

कॉलेज के युवाओं से लेकर दशकों पुरानी यादों में खोए बुज़ुर्गों तक, गेरार्ड मैनली हॉपकिन्स हर पीढ़ी को जोड़ते हैं। दिल टूटने पर उनके शेर कड़वाहट नहीं घोलते, बल्कि मानवीय भावना को एक नाज़ुक, पवित्र अनुभूति की तरह स्वीकार करते हैं। आज भी सोशल मीडिया, शास्त्रीय संगीत और मुशायरों में इनके शेर हर रोज़ लाखों दिलों की धड़कन बनते हैं।

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पसंद का शेर चुनिए, मनपसंद टेम्पलेट लगाइए, फ़ॉन्ट और रंग सजाइए और एक क्लिक में सेव कर लीजिए।

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“तेरी खामोशियों में भी एक कायनात बसती है...”

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सही अल्फ़ाज़ ढूँढ़िए

हर मौक़े और हर अपने के लिए संदेश

जिसके लिए लिखना है, उसे या कोई त्योहार चुनिए और तैयार संग्रह खोल लीजिए।

अक्सर पूछे जाने वाले सवाल

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कोई अन्य सवाल है? संपर्क करें

गेरार्ड मैनली हॉपकिन्स कौन थे?

गेरार्ड मैनली हॉपकिन्स (1844–1889) Victorian Era (1844–1889) के एक विश्व-प्रसिद्ध कवि थे, जिनकी रचनाएँ सार्वभौमिक मानवीय संवेदनाओं को उजागर करती हैं।

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उनकी कविताओं में प्रेम, प्रकृति, मानवीय संघर्ष, मृत्यु और दार्शनिक चिंतन के मार्मिक पहलू गहराई से अभिव्यक्त हुए हैं।

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उनकी रचनाएँ मानवीय संवेदनाओं, प्रेम, विरह और गहरे जीवन दर्शन को अत्यंत मार्मिक भाषा में प्रस्तुत करती हैं।

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इनकी प्रमुख कृतियों में कालजयी शेर, ग़ज़लें और नज़्में शामिल हैं जो आज भी विश्वभर के पाठकों द्वारा पढ़ी जाती हैं।

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क्या Emotion Hub पर गेरार्ड मैनली हॉपकिन्स के शेर कॉपी और शेयर किए जा सकते हैं?

हाँ, Emotion Hub पर आप एक क्लिक में शेर कॉपी कर सकते हैं और सीधे WhatsApp पर शेयर कर सकते हैं।

क्या गेरार्ड मैनली हॉपकिन्स के शेरों के एस्थेटिक कार्ड डाउनलोड किए जा सकते हैं?

हाँ, आप 300 DPI वॉलपेपर क्वालिटी में टेक्स्ट के साथ तैयार कार्ड डाउनलोड कर सकते हैं या डिज़ाइन स्टूडियो में कस्टमाइज़ कर सकते हैं।

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तो फिर देर किस बात की?

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