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Edward Thomas (एडवर्ड थॉमस)

एडवर्ड थॉमस (1878–1917) English/Georgian साहित्य के एक अत्यंत प्रतिष्ठित एवं अमर कवि हैं।

• एडवर्ड थॉमस • 01/08
आज का शेर
एडवर्ड थॉमस Portrait
आभा: 99.4%
एडवर्ड थॉमसGeorgian & War Era (1878–1917)
प्रमाणित विरासत
WHEN he should laugh the wise man knows full well,For he knows what is truly laughable.

— एडवर्ड थॉमस • GEORGIAN & WAR ERA (1878–1917)

1/8
📖 प्रमाणित संग्रह❤️ 950K+ Souls✨ 99.2%🏛️ Georgian & War Era (1878–1917)
तेज़ नेविगेशन:#Mashhoor#Ishq#Dard#Zindagi#Falsafa
कैनवास स्टूडियो प्रीसेट्स

डाउनलोड करें एडवर्ड थॉमस के एस्थेटिक स्टोरी कार्ड्स

शेर #1 • कॉस्मिक कलाम
‘WHEN he should laugh the wise man knows full well,For he knows what is truly laughable.’
— एडवर्ड थॉमस

शेर #1 • कॉस्मिक कलाम

WHEN he should laugh the wise man knows full well,

शेर #2 • शाही पन्ना
‘But wiser is the man who laughs also,Or holds his laughter, when the foolish do.’
— एडवर्ड थॉमस

शेर #2 • शाही पन्ना

But wiser is the man who laughs also,

शेr #3 • रूहानी शाम
‘BUT these things also are Spring's--,On banks by the roadside the grass.’
— एडवर्ड थॉमस

शेr #3 • रूहानी शाम

BUT these things also are Spring's--,

शेर #4 • ज़मर्रद फ़लसफ़ा
‘Long-dead that is greyer now,Than all the Winter it was.’
— एडवर्ड थॉमस

शेर #4 • ज़मर्रद फ़लसफ़ा

Long-dead that is greyer now,

प्रमाणित शायरी संग्रह

अमर शेर और ग़ज़लें

mashhoor#01
WHEN he should laugh the wise man knows full well,For he knows what is truly laughable.
#When He Should Laugh
ishq#02
But wiser is the man who laughs also,Or holds his laughter, when the foolish do.
#When He Should Laugh
dard#03
BUT these things also are Spring's--,On banks by the roadside the grass.
#But These Things Also
zindagi#04
Long-dead that is greyer now,Than all the Winter it was.
#But These Things Also
Crimson Velvet
Vain it must be, I knew. Yet naught did my despair,But sweeten the strange sweetness, while through the.
#Melancholy— एडवर्ड थॉमस
falsafa#05
The shell of a little snail bleached,In the grass; chip of flint, and mite.
#But These Things Also
mashhoor#06
Of chalk; and the small birds' dung,In splashes of purest white.
#But These Things Also
ishq#07
All the white things a man mistakes,For earliest violets.
#But These Things Also
dard#08
Who seeks through Winter's ruins,Something to pay Winter's debts.
#But These Things Also
Celestial Mystic
This corner of the farmyard I like most,As well as any bloom upon a flower.
#Tall Nettles— एडवर्ड थॉमस
zindagi#09
While the North blows, and starling flocks,By chattering on and on.
#But These Things Also
falsafa#10
Keep their spirits up in the mist,And Spring's here, Winter's not gone.
#But These Things Also
mashhoor#11
WILL you come?,Will you come?.
#Will You Come?
ishq#12
Will you ride,So late.
#Will You Come?
Royal Sapphire
Everyone sees them: low or high in tree,Or hedge, or single bush, they hang like a mark.
#Birds' Nests— एडवर्ड थॉमस
dard#13
At my side?,O, will you come?.
#Will You Come?
zindagi#14
Will you come?,Will you come.
#Will You Come?
falsafa#15
If the night,Has a moon.
#Will You Come?
mashhoor#16
Full and bright?,O, will you come?.
#Will You Come?
Golden Amber
And evermore mighty multitudes ride,About, nor enter in.
#The Dark Forest— एडवर्ड थॉमस
ishq#17
Would you come?,Would you come.
#Will You Come?
dard#18
If the noon,Gave light.
#Will You Come?
zindagi#19
Not the moon?,Beautiful, would you come?.
#Will You Come?
falsafa#20
Would you have come?,Would you have come.
#Will You Come?
Cosmic Violet
A thousand years, while the broad ploughland,oak.
#February Afternoon— एडवर्ड थॉमस
mashhoor#21
Without scorning,Had it been.
#Will You Come?
ishq#22
Still morning?,Beloved, would you have come?.
#Will You Come?
dard#23
If you come,Haste and come.
#Will You Come?
zindagi#24
Owls have cried,It grows dark.
#Will You Come?
Emerald Radiance
Heaving and coiling. So by the roar and hiss,And by the mighty motion of the abyss.
#A Dream— एडवर्ड थॉमस
falsafa#25
To ride,Beloved, beautiful, come.
#Will You Come?
mashhoor#26
THE flowers left thick at nightfall in the wood,This Eastertide call into mind the men.
#In Memoriam
ishq#27
Now far from home, who, with their sweethearts, should,Have gathered them and will do never again.
#In Memoriam
dard#28
THERE they stand, on their ends, the fifty faggots,That once were underwood of hazel and ash.
#Fifty Faggots
Sunset Aura
Quick, shrill, or grating, a song to match the heat,Of the strong sun, nor less the water's cool.
#Sedge-Warblers— एडवर्ड थॉमस
zindagi#29
In Jenny Pinks's Copse. Now, by the hedge,Close packed, they make a thicket fancy alone.
#Fifty Faggots
falsafa#30
Can creep through with the mouse and wren. Next,Spring.
#Fifty Faggots
mashhoor#31
A blackbird or a robin will nest there,Accustomed to them, thinking they will remain.
#Fifty Faggots
ishq#32
Whatever is for ever to a bird,This Spring it is too late; the swift has come.
#Fifty Faggots
Imperial Gold
Still lingers on,A stoat of his.
#Under the Woods— एडवर्ड थॉमस
dard#33
'Twas a hot day for carrying them up,Better they will never warm me, though they must.
#Fifty Faggots
zindagi#34
Light several Winters' fires. Before they are done,The war will have ended, many other things.
#Fifty Faggots
falsafa#35
Have ended, maybe, that I can no more,Foresee or more control than robin and wren.
#Fifty Faggots
mashhoor#36
THE cherry trees bend over and are shedding,On the old road where all that passed are dead.
#The Cherry Trees
Crimson Velvet
OUT in the sun the goldfinch flits,Along the thistle-tops, flits and twits.
#The Hollow Wood— एडवर्ड थॉमस
ishq#37
Their petals, strewing the grass as for a wedding,This early May morn when there is none to wed.
#The Cherry Trees
dard#38
SOME eyes condemn the earth they gaze upon,Some wait patiently till they know far more.
#Some Eyes Condemn
zindagi#39
Than earth can tell them: some laugh at the whole,As folly of another's making: one.
#Some Eyes Condemn
falsafa#40
I knew that laughed because he saw, from core,To rind, not one thing worth the laugh his soul.
#Some Eyes Condemn
Celestial Mystic
Yet that he travelled through the trees and some-,times.
#The Unknown Bird— एडवर्ड थॉमस
mashhoor#41
Had ready at waking: some eyes have begun,With laughing; some stand startled at the door.
#Some Eyes Condemn
ishq#42
Others, too, I have seen rest, question, roll,Dance, shoot. And many I have loved watching.
#Some Eyes Condemn
dard#43
Some,I could not take my eyes from till they turned.
#Some Eyes Condemn
zindagi#44
And loving died. I had not found my goal,But thinking of your eyes, dear, I become.
#Some Eyes Condemn
Royal Sapphire
And bracken, and wild carrot's seed,And the square mustard field.
#Digging— एडवर्ड थॉमस
falsafa#45
THE rain and wind, the rain and wind, raved endlessly,On me the Summer storm, and fever, and melancholy.
#Melancholy
mashhoor#46
Wrought magic, so that if I feared the solitude,Far more I feared all company: too sharp, too rude.
#Melancholy
ishq#47
Had been the wisest or the dearest human voice,What I desired I knew not, but whate'er my choice.
#Melancholy
dard#48
Vain it must be, I knew. Yet naught did my despair,But sweeten the strange sweetness, while through the.
#Melancholy
Golden Amber
For wasps meant, now,A star--long may it swing.
#The Wasp Trap— एडवर्ड थॉमस
zindagi#49
wild air,All day long I heard a distant cuckoo calling.
#Melancholy
falsafa#50
And, soft as dulcimers, sounds of near water falling,And, softer, and remote as if in history.
#Melancholy
mashhoor#51
Rumours of what had touched my friends, my foes,or me.
#Melancholy
ishq#52
IT was upon a July evening,At a stile I stood, looking along a path.
#It Was upon
Cosmic Violet
But wiser is the man who laughs also,Or holds his laughter, when the foolish do.
#When He Should Laugh— एडवर्ड थॉमस
dard#53
Over the country by a second Spring,Drenched perfect green again. "The lattermath.
#It Was upon
zindagi#54
Will be a fine one." So the stranger said,A wandering man. Albeit I stood at rest.
#It Was upon
falsafa#55
Flushed with desire I was. The earth outspread,Like meadows of the future, I possessed.
#It Was upon
mashhoor#56
And as an unaccomplished prophecy,The stranger's words, after the interval.
#It Was upon
Emerald Radiance
If the night,Has a moon.
#Will You Come?— एडवर्ड थॉमस
ishq#57
Of a score years, when those fields are by me,Never to be recrossed, now I recall.
#It Was upon
dard#58
This July eve, and question, wondering,What of the lattermath to this hoar Spring?.
#It Was upon
zindagi#59
TALL nettles cover up, as they have done,These many springs, the rusty harrow, the plough.
#Tall Nettles
falsafa#60
Long worn out, and the roller made of stone,Only the elm butt tops the nettles now.
#Tall Nettles
Sunset Aura
THERE they stand, on their ends, the fifty faggots,That once were underwood of hazel and ash.
#Fifty Faggots— एडवर्ड थॉमस
mashhoor#61
This corner of the farmyard I like most,As well as any bloom upon a flower.
#Tall Nettles
ishq#62
I like the dust on the nettles, never lost,Except to prove the sweetness of a shower.
#Tall Nettles
dard#63
IT stands alone,Up in a land of stone.
#The Sheiling
zindagi#64
All worn like ancient stairs,A land of rocks and trees.
#The Sheiling
Imperial Gold
Had ready at waking: some eyes have begun,With laughing; some stand startled at the door.
#Some Eyes Condemn— एडवर्ड थॉमस
falsafa#65
Nourished on wind and stone,And all within.
#The Sheiling
mashhoor#66
Long delicate has been,By arts and kindliness.
#The Sheiling
ishq#67
Coloured, sweetened, and warmed,For many years has been.
#The Sheiling
dard#68
Safe resting there,Men hear in the travelling air.
#The Sheiling
Crimson Velvet
Will be a fine one." So the stranger said,A wandering man. Albeit I stood at rest.
#It Was upon— एडवर्ड थॉमस
zindagi#69
But music, pictures see,In the same daily land.
#The Sheiling
falsafa#70
Painted by the wild air,One maker's mind.
#The Sheiling
mashhoor#71
Made both, and the house is kind,To the land that gave it peace.
#The Sheiling
ishq#72
And the stone has taken the house,To its cold heart and is kind.
#The Sheiling
Celestial Mystic
Coloured, sweetened, and warmed,For many years has been.
#The Sheiling— एडवर्ड थॉमस
dard#73
THE summer nests uncovered by autumn wind,Some torn, others dislodged, all dark.
#Birds' Nests
zindagi#74
Everyone sees them: low or high in tree,Or hedge, or single bush, they hang like a mark.
#Birds' Nests
falsafa#75
Since there's no need of eyes to see them with,I cannot help a little shame.
#Birds' Nests
mashhoor#76
That I missed most, even at eye's level, till,The leaves blew off and made the seeing no game.
#Birds' Nests
Royal Sapphire
Once a dormouse dined there on hazel-nuts,And grass and goose-grass seeds found soil and grew.
#Birds' Nests— एडवर्ड थॉमस
ishq#77
'Tis a light pang. I like to see the nests,Still in their places, now first known.
#Birds' Nests
dard#78
At home and by far roads. Boys knew them not,Whatever jays and squirrels may have done.
#Birds' Nests
zindagi#79
And most I like the winter nests deep-hid,That leaves and berries fell into.
#Birds' Nests
falsafa#80
Once a dormouse dined there on hazel-nuts,And grass and goose-grass seeds found soil and grew.
#Birds' Nests
Golden Amber
But it looks too magnificent,No neighbour casts a stone.
#I Built Myself a House of Glass— एडवर्ड थॉमस
mashhoor#81
OUT of the wood of thoughts that grows by night,To be cut down by the sharp axe of light,--.
#Cock-Crow
ishq#82
Out of the night, two cocks together crow,Cleaving the darkness with a silver blow.
#Cock-Crow
dard#83
And bright before my eyes twin trumpeters stand,Heralds of splendour, one at either hand.
#Cock-Crow
zindagi#84
Each facing each as in a coat of arms,The milkers lace their boots up at the farms.
#Cock-Crow
Cosmic Violet
Perhaps. The dead man's immortality,Lies represented lightly with my own.
#Digging— एडवर्ड थॉमस
falsafa#85
DARK is the forest and deep, and overhead,Hang stars like seeds of light.
#The Dark Forest
mashhoor#86
In vain, though not since they were sown was bred,Anything more bright.
#The Dark Forest
ishq#87
And evermore mighty multitudes ride,About, nor enter in.
#The Dark Forest
dard#88
Of the other multitudes that dwell inside,Never yet was one seen.
#The Dark Forest
Emerald Radiance
Another beauty, divine and feminine,Child to the sun, a nymph whose soul unstained.
#Sedge-Warblers— एडवर्ड थॉमस
zindagi#89
The forest foxglove is purple, the marguerite,Outside is gold and white.
#The Dark Forest
falsafa#90
Nor can those that pluck either blossom greet,The others, day or night.
#The Dark Forest
mashhoor#91
I BUILT myself a house of glass,It took me years to make it.
#I Built Myself a House of Glass
ishq#92
And I was proud. But now, alas,Would God someone would break it.
#I Built Myself a House of Glass
Sunset Aura
There was no garden here,Apples nor mistletoe.
#Under the Woods— एडवर्ड थॉमस
dard#93
But it looks too magnificent,No neighbour casts a stone.
#I Built Myself a House of Glass
zindagi#94
From where he dwells, in tenement,Or palace of glass, alone.
#I Built Myself a House of Glass
falsafa#95
MEN heard this roar of parleying starlings, saw,A thousand years ago even as now.
#February Afternoon
mashhoor#96
Black rooks with white gulls following the plough,So that the first are last until a caw.
#February Afternoon
Imperial Gold
I shall come early, Kate,And we in Castle Alley.
#To-Night— एडवर्ड थॉमस
ishq#97
Commands that last are first again,--a law,Which was of old when one, like me, dreamed.
#February Afternoon
dard#98
how,A thousand years might dust lie on his brow.
#February Afternoon
zindagi#99
Yet thus would birds do between hedge and shaw,Time swims before me, making as a day.
#February Afternoon
falsafa#100
A thousand years, while the broad ploughland,oak.
#February Afternoon
Crimson Velvet
And the bright twit of the goldfinch drops,Down there as he flits on thistle-tops.
#The Hollow Wood— एडवर्ड थॉमस
mashhoor#101
Roars mill-like and men strike and bear the,stroke.
#February Afternoon
साहित्यिक परिचय एवं आलोचनात्मक सम्मान

एडवर्ड थॉमस (Edward Thomas) — साहित्यिक महानायक एवं कालजयी विरासत

एडवर्ड थॉमस (1878–1917) English/Georgian साहित्य के एक अत्यंत प्रतिष्ठित एवं अमर कवि हैं।

साहित्यिक विधा और मौलिक शैली

एडवर्ड थॉमस ने भाषा और उपमानों की सीमाओं को पार कर ऐसी संजीदा शैली विकसित की, जो सीधे पाठक के अंतर्मन से संवाद करती है।

ऐतिहासिक युग एवं विश्व सम्मान

Georgian & War Era (1878–1917) के महान रचनाकार के रूप में सम्मानित, एडवर्ड थॉमस की कृतियाँ आज कई अंतरराष्ट्रीय भाषाओं में सराही और अनुवादित की जाती हैं।

दार्शनिक गहराई और आत्मिक अनुभूति

प्रेम, विरह, मानवीय कमज़ोरी और जीवन के गूढ़ रहस्यों को एडवर्ड थॉमस ने अपनी शायरी में अमर सत्य की तरह संजोया है।

एडवर्ड थॉमस की शायरी पीढ़ियों के दिलों को क्यों छूती है?

कॉलेज के युवाओं से लेकर दशकों पुरानी यादों में खोए बुज़ुर्गों तक, एडवर्ड थॉमस हर पीढ़ी को जोड़ते हैं। दिल टूटने पर उनके शेर कड़वाहट नहीं घोलते, बल्कि मानवीय भावना को एक नाज़ुक, पवित्र अनुभूति की तरह स्वीकार करते हैं। आज भी सोशल मीडिया, शास्त्रीय संगीत और मुशायरों में इनके शेर हर रोज़ लाखों दिलों की धड़कन बनते हैं।

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अक्सर पूछे जाने वाले सवाल

एडवर्ड थॉमस के बारे में ज़रूरी सवाल-जवाब

एडवर्ड थॉमस के जीवन, प्रसिद्ध ग़ज़लों और साहित्यिक विरासत से जुड़े प्रामाणिक उत्तर।

कोई अन्य सवाल है? संपर्क करें

एडवर्ड थॉमस कौन थे?

एडवर्ड थॉमस English/Georgian साहित्य के कालजयी कवि थे।

एडवर्ड थॉमस का जन्म कब और कहाँ हुआ था?

एडवर्ड थॉमस का ऐतिहासिक जीवनकाल 1878 से 1917 (Georgian & War Era (1878–1917)) तक रहा।

एडवर्ड थॉमस की शायरी और रचनाओं की मुख्य विशेषता क्या है?

उनकी रचनाएँ मानवीय संवेदनाओं, प्रेम, विरह और गहरे जीवन दर्शन को अत्यंत मार्मिक भाषा में प्रस्तुत करती हैं।

एडवर्ड थॉमस की सबसे प्रसिद्ध रचनाएँ कौन सी हैं?

इनकी प्रमुख कृतियों में कालजयी शेर, ग़ज़लें और नज़्में शामिल हैं जो आज भी विश्वभर के पाठकों द्वारा पढ़ी जाती हैं।

एडवर्ड थॉमस का साहित्यिक योगदान और प्रभाव क्या है?

उन्होंने अपनी भाषा शैली और नए उपमानों के माध्यम से आने वाली पीढ़ियों के रचनाकारों को गहराई से प्रेरित किया।

क्या Emotion Hub पर एडवर्ड थॉमस के शेर कॉपी और शेयर किए जा सकते हैं?

हाँ, Emotion Hub पर आप एक क्लिक में शेर कॉपी कर सकते हैं और सीधे WhatsApp पर शेयर कर सकते हैं।

क्या एडवर्ड थॉमस के शेरों के एस्थेटिक कार्ड डाउनलोड किए जा सकते हैं?

हाँ, आप 300 DPI वॉलपेपर क्वालिटी में टेक्स्ट के साथ तैयार कार्ड डाउनलोड कर सकते हैं या डिज़ाइन स्टूडियो में कस्टमाइज़ कर सकते हैं।

एडवर्ड थॉमस का मज़ार या ऐतिहासिक स्थल कहाँ स्थित है?

एडवर्ड थॉमस की स्मृति में समर्पित स्मारक और ऐतिहासिक स्थल साहित्य प्रेमियों के लिए एक पवित्र धरोहर हैं।

आपके अल्फ़ाज़, आपका अंदाज़

तो फिर देर किस बात की?

कोई पंक्ति चुनिए, उसे अपना अंदाज़ दीजिए और भेज दीजिए। आपका पहला कार्ड बस कुछ टैप दूर है।

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