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Gerard Manley Hopkins (गेरार्ड मैनली हॉपकिन्स)

Gerard Manley Hopkins was an English poet and Jesuit priest.

• GERARD MANLEY HOPKINS • 01/08
Daily Celestial Sher
Gerard Manley Hopkins Portrait
Aura Resonance: 99.4%
Gerard Manley HopkinsVictorian Era (1844–1889)
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Thee, God, I come from, to thee go,All day long I like fountain flow.

— GERARD MANLEY HOPKINS • VICTORIAN ERA (1844–1889)

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📖 Curated Archive❤️ 1.2M+ Readers✨ 99.4%🏛️ Victorian Era (1844–1889)
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Sher #1 • Classic Couplet
‘Thee, God, I come from, to thee go,All day long I like fountain flow.’
— Gerard Manley Hopkins

Sher #1 • Classic Couplet

Thee, God, I come from, to thee go,

Sher #2 • Passionate Verse
‘From thy hand out, swayed about,Mote-like in thy mighty glow.’
— Gerard Manley Hopkins

Sher #2 • Passionate Verse

From thy hand out, swayed about,

Sher #3 • Soulful Couplet
‘What I know of thee I bless,As acknowledging thy stress.’
— Gerard Manley Hopkins

Sher #3 • Soulful Couplet

What I know of thee I bless,

Sher #4 • Philosophical Verse
‘On my being and as seeing,Something of thy holiness.’
— Gerard Manley Hopkins

Sher #4 • Philosophical Verse

On my being and as seeing,

Curated Literary Vault

Immortal Couplets & Ghazals

mashhoor#01
Thee, God, I come from, to thee go,All day long I like fountain flow.
#Thee, God, I Come from
ishq#02
From thy hand out, swayed about,Mote-like in thy mighty glow.
#Thee, God, I Come from
dard#03
What I know of thee I bless,As acknowledging thy stress.
#Thee, God, I Come from
zindagi#04
On my being and as seeing,Something of thy holiness.
#Thee, God, I Come from
Crimson Velvet
Eh, how áll rúng!,Young dog, he did give tongue!.
#Brothers— Gerard Manley Hopkins
falsafa#05
Once I turned from thee and hid,Bound on what thou hadst forbid.
#Thee, God, I Come from
mashhoor#06
Sow the wind I would; I sinned,I repent of what I did.
#Thee, God, I Come from
ishq#07
Bad I am, but yet thy child,Father, be thou reconciled.
#Thee, God, I Come from
dard#08
Spare thou me, since I see,With thy might that thou art mild.
#Thee, God, I Come from
Celestial Mystic
Or paring of paradisaical fruit, lovely in waning but lustreless,Stepped from the stool, drew back from the barrow, of dark Maenefa the mountain.
#Moonrise— Gerard Manley Hopkins
zindagi#09
I have life before me still,And thy purpose to fulfil.
#Thee, God, I Come from
falsafa#10
Yea a debt to pay thee yet,Help me, sir, and so I will.
#Thee, God, I Come from
mashhoor#11
But thou bidst, and just thou art,Me shew mercy from my heart.
#Thee, God, I Come from
ishq#12
Towards my brother, every other,Man my mate and counterpart.
#Thee, God, I Come from
Royal Sapphire
Moonless darkness stands between,Past, the Past, no more be seen!.
#Moonless darkness stands between— Gerard Manley Hopkins
dard#13
A Brother and Sister,O I admire and sorrow! The heart’s eye grieves.
#On the Portrait of Two Beautiful Young People
zindagi#14
Discovering you, dark tramplers, tyrant years,A juice rides rich through bluebells, in vine leaves.
#On the Portrait of Two Beautiful Young People
falsafa#15
And beauty’s dearest veriest vein is tears,Happy the father, mother of these! Too fast.
#On the Portrait of Two Beautiful Young People
mashhoor#16
Not that, but thus far, all with frailty, blest,In one fair fall; but, for time’s aftercast.
#On the Portrait of Two Beautiful Young People
Golden Amber
To what serves mortal beauty '—dangerous; does set danc-,ing blood—the O-seal-that-so ' feature, flung prouder form.
#To What Serves Mortal Beauty?— Gerard Manley Hopkins
ishq#17
Creatures all heft, hope, hazard, interest,And are they thus? The fine, the fingering beams.
#On the Portrait of Two Beautiful Young People
dard#18
Their young delightful hour do feature down,That fleeted else like day-dissolvиd dreams.
#On the Portrait of Two Beautiful Young People
zindagi#19
Or ringlet-race on burling Barrow brown,She leans on him with such contentment fond.
#On the Portrait of Two Beautiful Young People
falsafa#20
As well the sister sits, would well the wife,His looks, the soul’s own letters, see beyond.
#On the Portrait of Two Beautiful Young People
Cosmic Violet
Then over his turnиd temples—here—,Was a rose, or, failing that.
#The Furl of Fresh-Leaved Dogrose Down— Gerard Manley Hopkins
mashhoor#21
Gaze on, and fall directly forth on life,But ah, bright forelock, cluster that you are.
#On the Portrait of Two Beautiful Young People
ishq#22
Of favoured make and mind and health and youth,Where lies your landmark, seamark, or soul’s star?.
#On the Portrait of Two Beautiful Young People
dard#23
There’s none but truth can stead you. Christ is truth,There ’s none but good can bй good, both for you.
#On the Portrait of Two Beautiful Young People
zindagi#24
And what sways with you, maybe this sweet maid,None good but God—a warning wavиd to.
#On the Portrait of Two Beautiful Young People
Emerald Radiance
Where the green swell is in the havens dumb,And out of the swing of the sea.
#Heaven--Haven: A Nun Takes the Veil— Gerard Manley Hopkins
falsafa#25
One once that was found wanting when Good weighed,Man lives that list, that leaning in the will.
#On the Portrait of Two Beautiful Young People
mashhoor#26
No wisdom can forecast by gauge or guess,The selfless self of self, most strange, most still.
#On the Portrait of Two Beautiful Young People
ishq#27
Fast furled and all foredrawn to No or Yes,Your feast of; that most in you earnest eye.
#On the Portrait of Two Beautiful Young People
dard#28
May but call on your banes to more carouse,Worst will the best. What worm was here, we cry.
#On the Portrait of Two Beautiful Young People
Sunset Aura
Sorrow's springs are the same,Nor mouth had, no nor mind, expressed.
#To a Young Child— Gerard Manley Hopkins
zindagi#29
To have havoc-pocked so, see, the hung-heavenward boughs?,Enough: corruption was the world’s first woe.
#On the Portrait of Two Beautiful Young People
falsafa#30
What need I strain my heart beyond my ken?,O but I bear my burning witness though.
#On the Portrait of Two Beautiful Young People
mashhoor#31
Against the wild and wanton work of men,.
#On the Portrait of Two Beautiful Young People
ishq#32
How lovely the elder brother's,Life all laced in the other's.
#Brothers
Imperial Gold
A warfare of my lips in truth,Battling with God, is now my prayer.
#My prayers must meet a brazen heaven— Gerard Manley Hopkins
dard#33
Lóve-laced!—what once I well,Witnessed; so fortune fell.
#Brothers
zindagi#34
When Shrovetide, two years gone,Our boys' plays brought on.
#Brothers
falsafa#35
Part was picked for John,Young Jóhn: then fear, then joy.
#Brothers
mashhoor#36
Ran revel in the elder boy,Their night was come now; all.
#Brothers
Crimson Velvet
Foundered March 24. 1878,1.
#The Loss of the Eurydice— Gerard Manley Hopkins
ishq#37
Our company thronged the hall,Henry, by the wall.
#Brothers
dard#38
Beckoned me beside him,I came where called, and eyed him.
#Brothers
zindagi#39
By meanwhiles; making my play,Turn most on tender byplay.
#Brothers
falsafa#40
For, wrung all on love's rack,My lad, and lost in Jack.
#Brothers
Celestial Mystic
6,And you were a liar, O blue March day.
#The Loss of the Eurydice— Gerard Manley Hopkins
mashhoor#41
Smiled, blushed, and bit his lip,Or drove, with a diver's dip.
#Brothers
ishq#42
Clutched hands down through clasped knees—,Truth's tokens tricks like these.
#Brothers
dard#43
Old telltales, with what stress,He hung on the imp's success.
#Brothers
zindagi#44
Now the other was bráss-bóld,Hé had no work to hold.
#Brothers
Royal Sapphire
Then a lurch forward, frigate and men,'All hands for themselves' the cry ran then.
#The Loss of the Eurydice— Gerard Manley Hopkins
falsafa#45
His heart up at the strain,Nay, roguish ran the vein.
#Brothers
mashhoor#46
Two tedious acts were past,Jack's call and cue at last.
#Brothers
ishq#47
When Henry, heart-forsook,Dropped eyes and dared not look.
#Brothers
dard#48
Eh, how áll rúng!,Young dog, he did give tongue!.
#Brothers
Golden Amber
Now he wrings for breath with the deathgush brown,Till a lifebelt and God's will.
#The Loss of the Eurydice— Gerard Manley Hopkins
zindagi#49
But Harry—in his hands he has flung,His tear-tricked cheeks of flame.
#Brothers
falsafa#50
For fond love and for shame,Ah Nature, framed in fault.
#Brothers
mashhoor#51
There 's comfort then, there 's salt,Nature, bad, base, and blind.
#Brothers
ishq#52
Dearly thou canst be kind,There dearly thén, deárly.
#Brothers
Cosmic Violet
From thy hand out, swayed about,Mote-like in thy mighty glow.
#Thee, God, I Come from— Gerard Manley Hopkins
dard#53
Look at the stars! look, look up at the skies!,O look at all the fire-folk sitting in the air!.
#The Starlight Night
zindagi#54
The bright boroughs, the circle-citadels there!,Down in dim woods the diamond delves! the elves'-eyes!.
#The Starlight Night
falsafa#55
The grey lawns cold where gold, where quickgold lies!,Wind-beat whitebeam! airy abeles set on a flare!.
#The Starlight Night
mashhoor#56
Flake-doves sent floating forth at a farmyard scare!—,Ah well! it is all a purchase, all is a prize.
#The Starlight Night
Emerald Radiance
And beauty’s dearest veriest vein is tears,Happy the father, mother of these! Too fast.
#On the Portrait of Two Beautiful Young People— Gerard Manley Hopkins
ishq#57
Buy then! bid then!—What?—Prayer, patience, aims, vows,Look, look: a May-mess, like on orchard boughs!.
#The Starlight Night
dard#58
Look! March-bloom, like on mealed-with-yellow sallows!,These are indeed the barn; withindoors house.
#The Starlight Night
zindagi#59
The shocks. This piece-bright paling shuts the spouse,Christ home, Christ and his mother and all his hallows.
#The Starlight Night
falsafa#60
I awoke in the Midsummer not to call night, in the white and the walk of the morning,The moon, dwindled and thinned to the fringe of a finger-nail held to the candle.
#Moonrise
Sunset Aura
May but call on your banes to more carouse,Worst will the best. What worm was here, we cry.
#On the Portrait of Two Beautiful Young People— Gerard Manley Hopkins
mashhoor#61
Or paring of paradisaical fruit, lovely in waning but lustreless,Stepped from the stool, drew back from the barrow, of dark Maenefa the mountain.
#Moonrise
ishq#62
A cusp still clasped him, a fluke yet fanged him, entangled him, not quite utterly,This was the prized, the desirable sight, unsought, presented so easily.
#Moonrise
dard#63
Nothing is so beautiful as spring—,When weeds, in wheels, shoot long and lovely and lush.
#Spring
zindagi#64
Thrush's eggs look little low heavens, and thrush,Through the echoing timber does so rinse and wring.
#Spring
Imperial Gold
Smiled, blushed, and bit his lip,Or drove, with a diver's dip.
#Brothers— Gerard Manley Hopkins
falsafa#65
The ear, it strikes like lightnings to hear him sing,The glassy peartree leaves and blooms, they brush.
#Spring
mashhoor#66
The descending blue; that blue is all in a rush,With richness; the racing lambs too have fair their fling.
#Spring
ishq#67
What is all this juice and all this joy?,A strain of the earth's sweet being in the beginning.
#Spring
dard#68
In Eden garden.—Have, get, before it cloy,Before it cloud, Christ, lord, and sour with sinning.
#Spring
Crimson Velvet
The bright boroughs, the circle-citadels there!,Down in dim woods the diamond delves! the elves'-eyes!.
#The Starlight Night— Gerard Manley Hopkins
zindagi#69
Innocent mind and Mayday in girl and boy,Most, O maid's child, thy choice and worthy the winning.
#Spring
falsafa#70
What being in rank-old nature should earlier have that breath been,That hйre pйrsonal tells off these heart-song powerful peals?—.
#What Being in Rank-Old Nature
mashhoor#71
A bush-browed, beetle-brуwed bнllow is it?,With a soъth-wйsterly wнnd blъstering, with a tide rolls reels.
#What Being in Rank-Old Nature
ishq#72
Of crumbling, fore-foundering, thundering all-surfy seas in; seen,Ъnderneath, their glassy barrel, of a fairy green.
#What Being in Rank-Old Nature
Celestial Mystic
What is all this juice and all this joy?,A strain of the earth's sweet being in the beginning.
#Spring— Gerard Manley Hopkins
dard#73
,Or a jaunting vaunting vaulting assaulting trumpet telling.
#What Being in Rank-Old Nature
zindagi#74
Moonless darkness stands between,Past, the Past, no more be seen!.
#Moonless darkness stands between
falsafa#75
But the Bethlehem-star may lead me,To the sight of Him Who freed me.
#Moonless darkness stands between
mashhoor#76
From the self that I have been,Make me pure, Lord: Thou art holy.
#Moonless darkness stands between
Royal Sapphire
Left hand, off land, I hear the lark ascend,His rash-fresh re-winded new-skeinèd score.
#The Sea and the Skylark— Gerard Manley Hopkins
ishq#77
Make me meek, Lord: Thou wert lowly,Now beginning, and alway.
#Moonless darkness stands between
dard#78
On ear and ear two noises too old to end,Trench—right, the tide that ramps against the shore.
#The Sea and the Skylark
zindagi#79
With a flood or a fall, low lull-off or all roar,Frequenting there while moon shall wear and wend.
#The Sea and the Skylark
falsafa#80
Left hand, off land, I hear the lark ascend,His rash-fresh re-winded new-skeinèd score.
#The Sea and the Skylark
Golden Amber
Home at heart, heaven's sweet gift; ' then leave, let that alone,Yea, wish that though, wish all, ' God's better beauty, grace.
#To What Serves Mortal Beauty?— Gerard Manley Hopkins
mashhoor#81
In crisps of curl off wild winch whirl, and pour,And pelt music, till none 's to spill nor spend.
#The Sea and the Skylark
ishq#82
How these two shame this shallow and frail town!,How ring right out our sordid turbid time.
#The Sea and the Skylark
dard#83
Being pure! We, life's pride and cared-for crown,Have lost that cheer and charm of earth's past prime.
#The Sea and the Skylark
zindagi#84
Our make and making break, are breaking, down,To man's last dust, drain fast towards man's first slime.
#The Sea and the Skylark
Cosmic Violet
Breathe Easter now; you serged fellowships,You vigil-keepers with low flames decreased.
#Easter Communion— Gerard Manley Hopkins
falsafa#85
The sea took pity: it interposed with doom,‘I have tall daughters dear that heed my hand.
#The Sea Took Pity
mashhoor#86
Let Winter wed one, sow them in her womb,And she shall child them on the New-world strand.’.
#The Sea Took Pity
ishq#87
To what serves mortal beauty '—dangerous; does set danc-,ing blood—the O-seal-that-so ' feature, flung prouder form.
#To What Serves Mortal Beauty?
dard#88
Than Purcell tune lets tread to? ' See: it does this: keeps warm,Men's wits to the things that are; ' what good means—where a glance.
#To What Serves Mortal Beauty?
Emerald Radiance
O then if in my lagging lines you miss,The roll, the rise, the carol, the creation.
#To R. B.— Gerard Manley Hopkins
zindagi#89
Master more may than gaze, ' gaze out of countenance,Those lovely lads once, wet-fresh ' windfalls of war's storm.
#To What Serves Mortal Beauty?
falsafa#90
How then should Gregory, a father, ' have gleanèd else from swarm-,ed Rome? But God to a nation ' dealt that day's dear chance.
#To What Serves Mortal Beauty?
mashhoor#91
To man, that needs would worship ' block or barren stone,Our law says: Love what are ' love's worthiest, were all known.
#To What Serves Mortal Beauty?
ishq#92
World's loveliest—men's selves. Self ' flashes off frame and face,What do then? how meet beauty? ' Merely meet it; own.
#To What Serves Mortal Beauty?
Sunset Aura
My prayers must meet a brazen heaven,And fail and scatter all away.
#My prayers must meet a brazen heaven— Gerard Manley Hopkins
dard#93
Home at heart, heaven's sweet gift; ' then leave, let that alone,Yea, wish that though, wish all, ' God's better beauty, grace.
#To What Serves Mortal Beauty?
zindagi#94
The furl of fresh-leaved dogrose down,His cheeks the forth-and-flaunting sun.
#The Furl of Fresh-Leaved Dogrose Down
falsafa#95
Had swarthed about with lion-brown,Before the Spring was done.
#The Furl of Fresh-Leaved Dogrose Down
mashhoor#96
His locks like all a ravel-rope’s-end,With hempen strands in spray—.
#The Furl of Fresh-Leaved Dogrose Down
Imperial Gold
,Hope holds to Christ the mind’s own mirror out.
#Hope Holds to Christ— Gerard Manley Hopkins
ishq#97
Fallow, foam-fallow, hanks—fall’n off their ranks,Swung down at a disarray.
#The Furl of Fresh-Leaved Dogrose Down
dard#98
Or like a juicy and jostling shock,Of bluebells sheaved in May.
#The Furl of Fresh-Leaved Dogrose Down
zindagi#99
Or wind-long fleeces on the flock,A day off shearing day.
#The Furl of Fresh-Leaved Dogrose Down
falsafa#100
Then over his turnиd temples—here—,Was a rose, or, failing that.
#The Furl of Fresh-Leaved Dogrose Down
Crimson Velvet
For did she pride her, freighted fully, on,Bounden bales or a hoard of bullion?—.
#The Loss of the Eurydice— Gerard Manley Hopkins
mashhoor#101
Rough-Robin or five-lipped campion clear,For a beauty-bow to his hat.
#The Furl of Fresh-Leaved Dogrose Down
AUTHOR PROFILE & CRITICAL ACCLAIM

About Gerard Manley Hopkins (गेरार्ड मैनली हॉपकिन्स) — The Maestro of Human Emotion

Gerard Manley Hopkins was an English poet and Jesuit priest.

Poetic Innovation & Distinct Voice

Gerard Manley Hopkins pioneered unique metaphors and an intimate conversational style, permanently redefining South Asian lyrical expression.

Historical Era & Global Acclaim

Celebrated across the Victorian Era (1844–1889), their verses have transcended borders, honored globally in multiple international translations and scholarly anthologies.

Cosmic Depth & Emotional Resonance

Weaving existential inquiry, intimate vulnerability, and philosophical depth, Gerard Manley Hopkins captured the bittersweet beauty of human existence.

Why Gerard Manley Hopkins's Poetry Resonates Across Generations

From student dormitories to seasoned scholars, Gerard Manley Hopkins effortlessly bridges generational divides. Their couplets on love, heartbreak, and resilience don't wallow in bitterness; rather, they gently embrace emotion as a precious, soulful companion. On digital platforms and in musical concerts, their words continue to touch millions daily.

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Frequently Asked Questions

Essential Questions About Gerard Manley Hopkins

Authentic answers about Gerard Manley Hopkins's life, iconic ghazals, and timeless literary legacy.

Still have a question? Contact us

Who was Gerard Manley Hopkins?

Gerard Manley Hopkins (1844–1889) was an eminent poet of the Victorian Era (1844–1889), celebrated for immortal literary masterworks.

What are the major themes in Gerard Manley Hopkins's poetry?

Their poetry explores love, nature, mortality, philosophical contemplation, and the sublime beauty of the human spirit.

What makes Gerard Manley Hopkins's literary works so renowned?

Their poetry explores the full spectrum of human emotions—love, existential yearning, resilience, and philosophical introspection.

What are the most famous works of Gerard Manley Hopkins?

Their masterworks include timeless couplets and verses celebrated globally across literary traditions.

What was Gerard Manley Hopkins's impact on literary culture?

They revolutionized poetic expression, leaving a lasting legacy that continues to inspire contemporary poets.

Can I copy and share couplets by Gerard Manley Hopkins?

Yes, you can copy any couplet with a single click and share it directly to WhatsApp, Instagram, or Facebook.

Can I download aesthetic cards for Gerard Manley Hopkins's poetry?

Yes! You can download high-resolution 300 DPI cards with full typography, or customize them in our online studio.

Where is Gerard Manley Hopkins's memorial or tomb located?

Memorials and historic landmarks commemorating Gerard Manley Hopkins stand as cherished cultural heritage sites for poetry enthusiasts.

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